Entertaining

50 Top Roger Ebert Movie Reviews

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Few voices have had the kind of impact that Roger Ebert has had throughout the history of film and film critique. Take a journey through film history with this list of some of the top Roger Ebert movie reviews!

“Star Wars” (1977)

Before “Star Wars” hit, nobody was really thinking, “Yeah, space operas will be huge.” Then boom: lightsabers, droids, and Darth Vader became everyone’s new obsession.

Roger Ebert was on board from the get-go. He praised the groundbreaking effects, imaginative universe, and the way it made you feel like a kid again.

Ebert was also a fan of the film’s portrayal of a classic battle between good and evil. “Star Wars” was a cultural moment that still resonates today.

“The Godfather” (1972)

Unsurprisingly, Roger Ebert hailed “The Godfather” as a cinematic masterpiece. He especially appreciated its complex portrayal of the family and power dynamics within the mafia.

Ebert praised Coppola’s direction of the film, noting that the movie balances a complicated narrative with compelling character development. He admired Brando’s iconic performance, too.

Ebert thought The Godfather did the nearly impossible: it created a great film out of a bestselling book. This movie was definitely a rarity in that way.

“The Hurt Locker” (2009)

Bomb disposal in Iraq? Talk about a high-stress job. “The Hurt Locker” takes you into the adrenaline-fueled world of a bomb squad in the Middle East.

Roger Ebert was blown away (sorry), praising the film for its intense realism and gripping suspense. And he was a big fan of director Kathryn Bigelow’s methods.

He highlighted how Bigelow brings you right into the action, making your heart race. He thought the film was a masterclass in storytelling and tension.

“Citizen Kane” (1941)

“Citizen Kane” is basically the OG of plot twists and deep dives into a complex character’s life. Ebert specifically appreciated its groundbreaking narrative and visual innovations.

Ebert was impressed by how the film used deep focus, flashbacks, and complex characters to explore themes of power and identity. That’s true filmmaking, 1940s style.

Ebert also admired Orson Welles’ knack for making every scene count. According to Ebert, the film shows cinema’s potential to tell complex stories in visually stunning ways.

“Casablanca” (1942)

According to Roger Ebert’s review of the film, “Casablanca” is so much more than just a love story. It’s a masterclass in mood, setting, and character.

Ebert particularly admired how this film, with its mix of romance, politics, and memorable one-liners, falls outside of our typical film genres. It feels historic but relevant.

He also specifically praised the iconic performances of the film’s talented actors and hailed “Casablanca” as a timeless classic. Every element works in perfect harmony.

“Jurassic Park” (1993)

“Jurassic Park” was peak ’90s entertainment, giving us a quirky thrill ride into what happens when nature finally bites back. And Roger Ebert was in awe.

Ebert praised Spielberg’s blockbuster for its groundbreaking special effects that, let’s be real, still hold up. He was all about the suspense and the awe-inspiring visuals.

Ebert did point out that the human characters could have used more depth. But who’s really there for the people when you’ve got T-Rexes stomping around, right?

“E.T. The Extra-Terrestrial” (1982)

Ebert’s review of “E.T.” was essentially a love letter to Spielberg’s classic film. He was fully on board the emotional ride, along with the rest of us.

Ebert praised the film for its ability to capture the innocence and wonder of childhood, which is hard to argue against. It’s what this film does best.

Ebert also highlights how “E.T.” mixes real-life emotions with the fantastical. He saw it as a perfect blend of adventure and sentimentality, for both kids and adults.

“The Silence of the Lambs” (1991)

“Silence of the Lambs” follows Agent Clarice Starling’s hunt for a serial killer with the help of incarcerated people-eater Hannibal Lecter. It immediately captivated audiences upon release.

Roger Ebert’s review praises the film for its suspenseful atmosphere and stellar performances. He particularly notes Foster and Hopkins’ captivating roles as Starling and Lecter.

Ebert appreciated the film’s ability to blend horror with a profound psychological study, making it a gripping and thought-provoking must-see. It’s a masterpiece of the thriller genre.

“Schindler’s List” (1993)

Roger Ebert was deeply moved by the 1993 film “Schindler’s List.” It’s a stunning portrayal of one man’s moral awakening amidst the horrors of the Holocaust.

Ebert praised Spielberg for not only capturing the stark brutality of the era but also highlighting the rays of hope that persist in the darkest times.

He notes the film’s powerful narrative and emotional depth, and calls “Schindler’s List” a monumental achievement in storytelling and a crucial reminder of the past.

“Pulp Fiction” (1994)

Roger Ebert’s review of “Pulp Fiction” hailed the film as a game-changer in cinema. He admired its unique blend of sharp dialogue, non-linear storytelling, and unforgettable characters.

Ebert was all for the way Tarantino crafted a film that’s both a tribute to, and a reinvention of, classic cinema. Not to mention the soundtrack!

Ebert also loved the way the film balances dark humor with moments of intensity, making “Pulp Fiction” a standout film that defies labels. It remains endlessly rewatchable.

“Goodfellas” (1990)

In his review of “Goodfellas,” Ebert gave the film major props for its gritty, adrenaline-fueled dive into mob life. The writing, editing, and performances were all top-notch.

Ebert particularly highlighted how Scorsese tells a raw, unfiltered story that’s both thrilling and thought-provoking in “Goodfellas.” We think most people would agree with that sentiment.

He also highlights the performances, which paint a vivid picture of the allure and danger of the gangster world. It sticks with you long after the credits.

“Toy Story” (1995)

We’re already reaching for the tissue box just thinking about Woody and his mish-mash of tiny toy pals. Pixar really changed the game with this one.

Ebert was all about this animated adventure. He loved the innovative animation, sure. But it was the heart and humor that really won him over.

He really didn’t have a negative word to say about “Toy Story,” praising the film as a groundbreaking moment in cinema that set the bar for animated films.

“Psycho” (1960)

Roger Ebert’s review of “Psycho” appreciated the movie as a groundbreaking piece of art that redefined the thriller genre. He praised Hitchcock’s masterful suspense and unexpected twists.

Ebert especially liked the now-iconic shower scene for its editing and psychological impact. Ebert admired how “Psycho” plays with audience expectations and emotions.

All of these factors make it a true staple of cinematic artistry. “Psycho” continues to thrill viewers with its take on the dark side of human nature.

“The Shawshank Redemption” (1994)

We can’t disagree with Roger Ebert’s opinion that “The Shawshank Redemption” was an instant classic. He praised the film for its deep emotional impact — a definite strength.

Ebert appreciated the film’s slow build. He also liked its themes of hope, friendship, and (of course) redemption. All within the confines of a grim prison setting.

Ebert noted that the narrative unfolds in a way that’s both surprising and satisfying, which is spot-on. His review acknowledged “The Shawshank Redemption” as a cinematic triumph.

“Raging Bull” (1980)

“Raging Bull,” directed by Martin Scorsese, is a film about the life of Jake LaMotta. He was a middleweight boxer who suffered from self-destructive tendencies and obsessive rage.

Roger Ebert’s review of the film described it as a raw and gritty work of art. De Niro’s intense performance and the film’s black-and-white cinematography truly shine.

Ebert’s review highlights this movie’s exploration of themes like redemption and self-destruction, considering it a standout in American cinema. We can’t disagree.

“Forrest Gump” (1994)

“Forrest Gump” is a classic tale of innocence and unexpected turns of fate. It follows the ever-optimistic Forrest through pivotal moments in American history.

Roger Ebert praised the movie for its unique blend of heart and humor. He highlights Tom Hanks’ unforgettable performance as an underdog whose simplicity offers profound insights.

While some critics found it overly sentimental, Ebert saw its sweetness as a strength. He hailed “Forrest Gump” as a cinematic journey that resonates deeply with viewers.

“Saving Private Ryan” (1998)

“Saving Private Ryan” is known for its raw, unfiltered portrayal of WWII’s D-Day. It’s a Spielberg classic that’s both gut-wrenching and poignant, even to this day.

Roger Ebert was all about this film, calling the opening battle scene one of the most intense and realistic depictions of war ever filmed. That’s some high praise!

He was big on the emotional journey, too. He highlighted how the quest to save one man amidst the chaos of war explores themes of sacrifice and humanity.

“The Matrix” (1999)

“The Matrix” totally revolutionized sci-fi with its mind-bending concept: what if our reality was just a digital illusion? Roger Ebert was into it, along with millions of others.

Ebert praised the film for its groundbreaking visuals and thought-provoking plot. He was especially wowed by the innovative special effects and the philosophical undertones.

While he noted the dialogue could feel a bit clunky, Ebert believed the film’s strengths prevailed. “The Matrix” is a genre-defining classic that still has us questioning everything.

“No Country for Old Men” (2007)

Diving into a high-stakes chase over stolen cash with the unnervingly calm Anton Chigurh on the prowl, “No Country for Old Men” earned major props from Ebert.

He considered the film yet another Coen Brothers’ triumph. He was particularly mesmerized by its intense ambiance and the deep philosophical questions simmering beneath it all.

Ebert barely had a word of critique on this film. He was too caught up in the stellar performances and the seamless blend of stark realism with insightful commentary.

“Fargo” (1996)

“Fargo” is a dark comedy/crime masterpiece that takes you to the icy, quirky heart of Minnesota. Ebert was all in, calling it a standout for the Coens.

It has a unique blend of stark violence, offbeat humor, and unforgettable characters (Marge Gunderson for president, anyone?). Ebert loved how it mixed the mundane with the macabre.

This mix makes for a bizarrely compelling narrative. His only beef? Pretty much nada. He thought “Fargo” was a flawless gem, showcasing the Coens’ genius in crafting a story.

“The Dark Knight” (2008)

“The Dark Knight” is so much more than a superhero movie. It’s a deep dive into chaos and morality, thanks in large part to Heath Ledger’s Joker.

Roger Ebert was all over this movie, praising its complex narrative and moral quandaries. He noted that its depth and characters pushed beyond typical comic book fare.

He was especially captivated by Ledger’s performance and called it a masterpiece of cinematic villainy. Ebert found the film a bit long but well worth the time investment.

“Amelie” (2001)

When you step into the world of “Amelie,” you’re met with a whimsical Parisian tale. It’s all about spreading joy and solving the little mysteries of life.

Roger Ebert was charmed, to say the least. He adored how Amelie, with her imaginative schemes, brought light to the lives around her, making the mundane magical.

His only critique? It could feel a tad over-stylized. But in the grand scheme, Ebert saw “Amelie” as a delightful look through the lens of everyday wonders.

“Gladiator” (2000)

Throwing it back to the Roman Empire, “Gladiator” is a tale of vengeance and valor. And it had Roger Ebert at the edge of his seat.

He was all about the epic scale, the intense battles, and Russell Crowe’s powerhouse performance as the wronged general turned gladiator. And of course, we agree.

Ebert found the story a bit predictable but couldn’t deny the film’s emotional pull and stunning visuals. For him, “Gladiator” recaptured the grandeur of classic Hollywood epics.

“Fight Club” (1999)

“Fight Club” transports us into a chaotic world of identity crisis, societal critique, and raw, somewhat hard-to-watch street brawls. Roger Ebert had mixed feelings about this one.

He was captivated by the film’s daring take on consumer culture and the film’s brilliant performances, especially by leading men Edward Norton and Brad Pitt.

However, Ebert questioned the movie’s deeper message and its glorification of violence. Despite these reservations, he acknowledged “Fight Club” as a bold, visually striking film.

“Memento” (2000)

Can you imagine trying to solve a mystery when you can’t remember anything for more than a few minutes? That’s the movie “Memento” for you in a nutshell.

Roger Ebert was totally captivated by this film, praising its unique narrative that unfolds backward. He loved that it keeps you guessing till the very end.

Ebert’s only nitpick? It demands your full attention to fully appreciate. But in his view, that’s part of the fun. He saw “Memento” as brilliant storytelling.

“Titanic” (1997)

“Titanic” not only captured hearts with its epic romance but also impressed critics, including the legendary Roger Ebert, who was a big fan of the film.

Ebert praised the movie’s technical mastery and emotional depth. He was particularly struck by the film’s visual effects and the amazing performances of its leads.

He did note that the film’s lengthy runtime might test some viewers’ patience. But Ebert found the voyage worth it, highlighting the movie’s ability to entertain and move.

“Finding Nemo” (2003)

Imagine losing your kid in the vast ocean; sounds like a nightmare, right? “Finding Nemo” turned that scenario into an adventure that’s equal parts heartwarming and hilarious.

Roger Ebert was totally hooked (pardon the pun), praising its stunning visuals, memorable characters, and witty script. He loved how it balanced humor with touching moments.

This rare mix made the film a hit for both kids and adults. Ebert’s only quibble? That it ended. He thought “Finding Nemo” was a Pixar gem.

“Inception” (2010)

“Inception” is a mind-bending journey into dreams within dreams that still perplexes audiences to this day. Essentially, it features Leonardo DiCaprio stealing secrets from the subconscious.

Roger Ebert, our cinematic guru, was wowed by this twisty-turny film. He praised it as a brainy blockbuster that combines deep thoughts with riveting action.

Ebert admired its bold, complex narrative, though he hinted that it might leave some viewers scratching their heads trying to untangle its plot. He wasn’t wrong.

“The Sixth Sense” (1999)

“The Sixth Sense” is the kind of movie that leaves you wishing you could watch it for the first time again. Roger Ebert felt exactly that sentiment.

In his review, Ebert praised the movie for its clever plot twists and deep emotional impact. Like everyone else, he was taken with the suspense.

Ebert did point out that the film’s slow burn might not be for everyone. Still, his opinion was that it’s a must-watch for thrill-seekers and deep-thinkers alike.

“The Lord of the Rings: The Return of the King” (2003)

What did Roger Ebert think of the third installment in this fan-favorite trilogy? He was all in, calling it a grand finale that perfectly wraps up the saga.

Ebert particularly loved how “The Return of the King” balanced heartfelt moments with battle scenes that keep you on the edge of your seat.

Never a fan of overly long films, Ebert took minor issue with the film’s length. We have to wonder what he thought of the extended release.

“The Social Network” (2010)

Ever wonder how Facebook went from a dorm-room pipe dream to a global phenomenon? “The Social Network” dives deep into this story, with a sprinkle of drama.

Roger Ebert was here for it, giving major kudos to the film for its sharp dialogue and compelling characters. He also praised Aaron Sorkin’s script and David Fincher’s direction.

Ebert pointed out how they turned a potentially dry tech history into a riveting drama. Even if it did play fast and loose with some of the facts.

“Braveheart” (1995)

If ’90s film-goers ever wanted to see Mel Gibson in a kilt, they got their wish with the ’95 release of this epic drama. Roger Ebert was captivated.

He praised the film for its stirring portrayal of Scotland’s fight against English rule. He also loved the sweeping landscapes and Gibson’s passionate performance.

Ebert didn’t shy away from critiquing its historical accuracy and the over-the-top violence. But be ultimately called it a visceral and emotional rollercoaster that’s hard to forget.

“Pan’s Labyrinth” (2006)

“Pan’s Labyrinth” is like a fairy tale that decided to go goth and never looked back. Honestly, relatable. Ebert was a fan of the film, as well.

Roger Ebert called “Pan’s Labyrinth” a masterpiece for its blend of fantasy and harsh historical reality. He admired its visual creativity and deep emotional resonance.

Ebert praised del Toro for presenting the horrors of war alongside the escape of imagination. Of course, he noted that it isn’t for the faint of heart.

“The Lion King” (1994)

Sure, some of the scenes from “The Lion King” are a bit traumatizing for its intended audience of children. Does that make it any less of a masterpiece?

Not according to Roger Ebert. He was all for the majestic animation, unforgettable songs, and the story that hits you right in the feels, no matter your age.

Ebert did point out that some of the scarier scenes might be a bit too much for young viewers. But overall, Ebert saw it as a winner.

“Million Dollar Baby” (2004)

In “Million Dollar Baby,” Clint Eastwood’s not just your average tough guy. He’s training Hilary Swank to punch her way to boxing glory. And guess what?

Roger Ebert was totally floored by it. He gave major points to the film for its raw emotion and powerful storytelling, calling it a knockout in every sense.

The only negative for him was that it might leave you with a heavier heart than expected. But for Ebert, that emotional punch was worth it.

“Avatar” (2009)

“Avatar” is one of those movies that can spark debates even 15 years later. Was it any good? According to Ebert, it was totally mesmerizing.

Ebert called the movie a stunning leap forward in movie magic and computerized animation. He loved its breathtaking visuals and groundbreaking effects.

He did point out that the storyline was a bit familiar and expected. But he believed the visually stunning, immersive world more than made up for it.

“A Beautiful Mind” (2001)

“A Beautiful Mind” takes us into the world of John Nash, a genius grappling with schizophrenia. Heavy, right? But Roger Ebert found it surprisingly uplifting.

Ebert highlighted the movie’s ability to tell a complex story with empathy and clarity, making the math and mental health struggles equally relatable. His critique?

A bit of Hollywood gloss over the rougher edges of Nash’s life. Still, Ebert saw it as a powerful, inspiring tale that sticks with you.

“Chicago” (2002)

“Chicago” turned murder trials into a dazzling spectacle of jazz and sass. Honestly, it made crime look cooler than ever. Roger Ebert was all about this razzle-dazzle.

He gave it two thumbs way up for its energetic performances and sharp wit. He was especially into how it captured the spirit of the roaring ’20s.

If Ebert had any critique, it was tiny—maybe wanting just a bit more of that jazz magic. But overall, he saw “Chicago” as a triumph.

“Slumdog Millionaire” (2008)

Who knew a game show could change your life? “Slumdog Millionaire” is a rollercoaster ride through the streets of Mumbai after just that very thing happened.

Roger Ebert was totally captivated, calling it a vibrant, heart-pounding journey. He loved how it mixed raw, emotional storytelling with the excitement of a quiz show format.

If there was any downside, Ebert barely noticed. For him, “Slumdog Millionaire” was a testament to the power of love, fate, and a little bit of luck.

“Up” (2009)

Who ever thought that simple balloons could carry a house (and our hearts) to such heights? “Up” is a true example of Pixar’s animation magic.

Roger Ebert was absolutely lifted by its charm, praising its adventure-packed story and emotional depth that, yes, had us all tearing up in the first 10 minutes.

He celebrated its animation and heartwarming narrative, mentioning barely a flaw. For Ebert, “Up” soared beyond just an animated movie to new cinematic heights.

“WALL-E” (2008)

If you still have any tissues leftover after “Up,” just put on “WALL-E.” In it, Earth is a trash heap, and little robot WALL-E is our last hope.

Sounds gloomy, but Pixar turns it into an adorable, heart-tugging tale. And Roger Ebert was all about this robot love story. He hailed WALL-E as a masterpiece.

Ebert especially appreciated its breathtaking visuals and profound commentary on consumerism and environmental neglect. It’s not just a film for kids but a visionary piece for all ages.

“Sideways” (2004)

“Sideways” is basically a road trip through California’s wine country with two middle-aged guys having a life crisis. Sounds like a recipe for comedy gold, right?

Roger Ebert was into it. He praised the film for its humor, heart, and the way it delves into the complexities of friendship and failure.

Ebert loved how it mixed the bittersweet with the outright hilarious. He saw “Sideways” as a fine wine of a movie—getting better with time and full of depth.

“Moulin Rouge!” (2001)

Baz Luhrmann’s “Moulin Rouge!” is like setting a pop culture blender on high. It boldly mixes romance, drama, a killer soundtrack, and Nicole Kidman’s iconic eyebrows.

Roger Ebert was down for the extravagant musical rollercoaster, applauding its bold visuals and emotional depth. Like most viewers, he was mesmerized by the film’s energy.

He also praised the way it mashed up modern hits with a vintage love story. However, he did note that the film’s style might overwhelm some movie-goers.

“Eternal Sunshine of the Spotless Mind” (2004)

If you were on MySpace in the 2000s, you know the coolest kids listed this movie as their favorite. It’s all about erasing an ex from your memory.

“Eternal Sunshine of the Spotless Mind” dives deep into that idea, but with a twist that makes you rethink the whole thing. Roger Ebert was totally enchanted.

He lauded its inventive storytelling and the raw, genuine performances from Jim Carrey and Kate Winslet. Ebert found little to criticize, calling it a beautifully crafted film.

“There Will Be Blood” (2007)

“Oil! Money! Drama!” could be the tagline for “There Will Be Blood,” where Daniel Day-Lewis brilliantly transforms into an oil tycoon you love to hate.

Roger Ebert was all over this gritty flick. He praised it for its powerhouse performances and stunning cinematography that paints the American West as a character itself.

He was captivated by the film’s exploration of greed, madness, and ambition. If Ebert had any critiques, they were drowned out by the film’s sheer ambition and execution.

“American Beauty” (1999)

Suburbia might look pretty and peaceful, but “American Beauty” peels back those manicured lawns to reveal the messy reality underneath. Roger Ebert was a fan of this dark comedy.

He particularly appreciated its sharp satire and complex characters. He was struck by Kevin Spacey’s transformative role and the film’s ability to find beauty in unexpected places.

Ebert did note the film’s darker themes might not be everyone’s cup of tea. But he saw it as a bold, thought-provoking masterpiece that challenges its viewers.

“Crash” (2004)

“Crash” is like that intense group project where everyone’s lives intersect in the most dramatic way possible. It explores the complexities of race and prejudice in LA.

Roger Ebert gave it a big thumbs up for its bold storytelling and powerful performances. He admired how the film didn’t shy away from tough topics.

If Ebert had any criticisms, they were minor compared to his praise for the film’s ambition and emotional impact. He saw “Crash” as a crucial conversation starter.

“Lost in Translation” (2003)

Who hasn’t felt super out of place at some point or another? “Lost in Translation” perfectly captures that vibe, set in the neon-lit buzz of Tokyo.

Roger Ebert was totally taken by this film, praising its subtle storytelling. He also pointed out the masterful performances by Bill Murray and Scarlett Johansson.

For Ebert, this was a cinematic gem that spoke volumes with its silences. Sometimes, the most meaningful connections are the ones that catch you off guard.

“Brokeback Mountain” (2005)

“Brokeback Mountain” isn’t your typical cowboy story—it’s a love story that happens to have cowboys, and it broke more than a few norms (and hearts).

Roger Ebert was deeply moved by the film. He highlighted the film’s raw emotion and the powerful performances by both Heath Ledger and Jake Gyllenhaal.

Ebert also praised the movie’s gentle storytelling and the way it handled its themes with both subtlety and depth. Ebert had barely any critiques of this masterpiece.

“The Departed” (2006)

“The Departed” is all about undercover chaos in Boston, where you can’t swing a cannoli without hitting a huge plot twist. And Roger Ebert was all in.

He lauded this gritty crime thriller for its intense pacing, stellar cast, and the way it keeps you guessing. It was a masterpiece in storytelling.

He also gave specific props to Scorsese for masterfully weaving together the complex narrative. It makes every moment feel like a high-stakes game of cat and mouse.

Sabrina Keller

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